Camille
Brasselet

Camille Brasselet

biography


Camille Brasselet is a photographer from Rouen who now lives in Lyon.

After attending the Ecole des Beaux Arts in Saint Brieuc in 2015, where she experimented with painting, drawing, modeling and, above all, photography, she moved to Lyon to pursue advanced studies in photography.

Her work revolves around the body and the figure, combining both pictorial references and a certain form of strangeness. Her photographic approach attempts to apprehend the medium from different visual and plastic perspectives, gravitating around the world of images and their representations. “This figuration suggests an off-field, a mystery that becomes the flesh of the imagination. Like a half-open door leading to another, it’s a fragment of time that becomes the expression of a whole that’s always in retreat. In the end, it’s everything that escapes us, this gap that we can’t define and that goes beyond our understanding that attracts my curiosity.”

She exhibits her work in France at Arles and at the Maison des Arts Plastiques in Lyon, as well as in Italy at the Palazzo Bonaguro during the Biennale di Fotagrafia di Bassano and in Russia at the Fedini Gallery in Moscow.

In 2020, she was one of three winners of the Fotofever Prize, which highlights the work of young contemporary photographers. She was then shortlisted for the 26th HSBC Prize for Photography.

Her first book, The Sound of Silence, is published by Editions Bessard in 2021. She was subsequently awarded the Prix le19M for craft photography as part of the Prix Picto for fashion photography 2022.

Series


Untitled stories, 2022

Series | In the still light, a story is written, an unknown story, an untitled story. These hypotheses of life, fragments, are nothing more than a distancing, a way of thinking about the inaccessible real.

Diaphane, 2019-2021

Series | Bodies are eternally adorned with a second skin, sometimes in the form of clothing, sometimes in the form of the photographer's gaze. As photographic objectivity remains a myth, the photographer dresses the photographed with his gaze.

À côté, 2018-2021

Series | À côté is a photographic approach to the body in the "Almost there". The body, omnipresent in my work, tends here to reflect on presence through its absence.

La dilution du souvenir, 2020

Series | Identity and our relationship to the world are forged around the notion of memory. It takes on many faces; a vagabond of time, it plunges us into a space other than the one we are in.

Untitled stories, 2022

Series | In the still light, a story is written, an unknown story, an untitled story. These hypotheses of life, fragments, are nothing more than a distancing, a way of thinking about the inaccessible real.

Diaphane, 2019-2021

Series | Bodies are eternally adorned with a second skin, sometimes in the form of clothing, sometimes in the form of the photographer's gaze. As photographic objectivity remains a myth, the photographer dresses the photographed with his gaze.

À côté, 2018-2021

Series | À côté is a photographic approach to the body in the "Almost there". The body, omnipresent in my work, tends here to reflect on presence through its absence.

La dilution du souvenir, 2020

Series | Identity and our relationship to the world are forged around the notion of memory. It takes on many faces; a vagabond of time, it plunges us into a space other than the one we are in.

Untitled stories, 2022

Series | In the still light, a story is written, an unknown story, an untitled story. These hypotheses of life, fragments, are nothing more than a distancing, a way of thinking about the inaccessible real.

Diaphane, 2019-2021

Series | Bodies are eternally adorned with a second skin, sometimes in the form of clothing, sometimes in the form of the photographer's gaze. As photographic objectivity remains a myth, the photographer dresses the photographed with his gaze.

À côté, 2018-2021

Series | À côté is a photographic approach to the body in the "Almost there". The body, omnipresent in my work, tends here to reflect on presence through its absence.

La dilution du souvenir, 2020

Series | Identity and our relationship to the world are forged around the notion of memory. It takes on many faces; a vagabond of time, it plunges us into a space other than the one we are in.

MULTIMEdias


Knock knock, 2022

Multimédia | A short film directed by Camille Brasselet

Room Stories n°10, 2022

Multimédia | A film by Camille Brasselet

Knock knock, 2022

Multimédia | A short film directed by Camille Brasselet

Room Stories n°10, 2022

Multimédia | A film by Camille Brasselet

Knock knock, 2022

Multimédia | A short film directed by Camille Brasselet

Room Stories n°10, 2022

Multimédia | A film by Camille Brasselet

Interviews


Fotofever prize avec Dahinden
Dahinden

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Interview of Camille Brasselet with Dahinden for the Fotofever Prize (2020) by Julien Martin
 

Mondes Flottants
ARKUCHI #26

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Interview of Camille Brasselet by Anne Huguet, March 2022
 

Salon de la Photo 2022

Sigma France

Interview of Camille Brasselet at the Salon de la Photo (2022)

 



Prix Picto de la Photographie de Mode 2022

Award ceremony at the Palais Galliera in Paris (2022)

 

The creative process

Sigma France

Meeting with the photographer Camille Brasselet (2021)

 

Awards


Winner of the “Les femmes s’exposent” festival’s creative grants

For her project « Suken path »

2023

Prix Picto de la Mode 

For her series « La dilution du souvenir » & « Diaphane »

2022

Prix HSBC 

Finalist for her series « La dilution du souvenir »

2021

Fotofever Prize 

For her series « À côté »

2020

Exhibitions


“Untitled Stories”

Salon de la Photo Sigma, Paris

October 2022

“La dilution du souvenir”

Sigma France, Rencontres de la Photographie d’Arles (Voies Off) (Arles)

July 2021

“Faire Corps”

Galerie La Loge des auteurs photographes (Rouen)

From May 28 to July 4, 2021

“À côté” et “La dilution du souvenir”

Palazzo Bonaguro, Biennale di Fotografia di Bassano (Bassano Del Grappa, Italie)

From September to November 2021

Books