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Current Exhibitions

Yvon Lambert - Border stories
Jardins du Bra’Haus I, montée du château (LUXEMBOURG)
From 2017-09-30 to 2018-09-29


Gérard Rondeau - Paysages
Galeries de la Cour des Jardiniers (FRANCE)
From 2017-11-19 to 2018-02-28


Françoise Huguier - Virtual Seoul
Musée Olympique (SWITZERLAND)
From 2017-12-07 to 2018-03-11


Ad Van Denderen - Jerusalem Stone
Huis Marseille, Museum for Photography (FRANCE)
From 2017-12-09 to 2018-03-04


Denis Dailleux - Ghana
Forum des Arts et de la Culture (FRANCE)
From 2018-01-18 to 2018-02-24


Denis Darzacq - Le bel aujourd’hui
l’Orangerie des Musées de Sens (FRANCE)
From 2018-02-03 to 2018-04-30


Ferhat Bouda - Les Berbères
Galerie de la Scam (FRANCE)
From 2018-02-20 to 2018-05-18


Détours-Retour

Bruno Boudjelal

Galerie du Pont-Neuf
23, place Dauphine
75001 Paris (FRANCE)


From 2014-11-04 to 2014-11-30


• From Monday to Sunday 2:30pm to 7pm

• Free Entrance
"Détours-retour" is conceived as the self-proclaimed end of Bruno Boudjelal’s Algerian
adventure. Two carefully constructed black and white sequences of square format
photographs form the framework of the project. The first, halting and multi-facetted,
from Blida to Algiers, is entitled Frantz Fanon (the champion of intercultural journeys),
while the second, Retour, is a more peaceful and singular sequence set in Marseille.
Between the two, less structured and less deliberately identifiable fragments appear.
Some are in colour, and depict scenes that are less clearly located in geographical
terms: the sea, the shore, moments of friendship or pain. Evidence of life sent by
photographers, notebooks where things are recorded rather than recounted, and which
Boudjelal treats with boundless detachment. His discernment, too, has no bounds,
when this re-reading we witness opens the door to dazzling moments worthy of Camus.
And then doubt returns, like a niggling OCD that just won’t go away: “that remains to
be seen”, he seems to say, for fear of seeing things wrong. It’s an attitude that
ultimately has to be classified as a form of elegance: it refuses to show images that do
not combine the creative process and the act of creation itself, pictures that do not have
the delicacy to avoid distorting the world we want to name, even if the price to pay is
an apparent technical or stylistic naivety. This isn’t about ‘stealing reality’, nor is it a
form of egocentrism; we glimpse the pleasure of being contemporary in an artist and
his work. So if a photograph is a ‘fact’ taken from a fixed point and placed at another
fixed point, let’s say that Bruno Boudjelal is also concerned with what lies between
them: let’s call it the ‘inner landscape’.

Thomas Doubliez

Exhibitions catalog

Monographic exhibitions

Albert & Verzone
Bacigalupo Martina
Bouda Ferhat
Boudjelal Bruno
Brault Philippe
Chapin Jean-Luc
Chivet Sophie
Coulange Olivier
Dailleux Denis
Darzacq Denis
Delpoux Dominique
Descamps Bernard
Deschamps Pierre-Olivier
Desprez Bertrand
Doury Claudine
Duroy Stéphane
Eshraghi Isabelle
Flore Maia
Fontaine François
Gomez Rovira Rodrigo
Goussard Christophe
Grignet Brigitte
Guigui Stanislas
Hingley Liz
Hock Marin
Hopkins Rip
Huguier Françoise
Hyytiäinen Arja
Iuncker Steeve
Lambert Yvon
Lecloux Frédéric
Lekfeldt Thomas
Martin Claire
Mirguet Olivier
Navia José Manuel
Nejmi Malik
Pauquet Claude
Picard Fabrice
Picard Serge
Pierrot Emmanuel
Propeck Agnès
Rearick Anne
Rondeau Gérard
Sauveur David
Sutkus Antanas
Taberna Patrick
Ten Hoopen Pieter
Tillim Guy
Van Denderen Ad
Vanden Eeckhoudt Michel
Wasif Munem
Winship Vanessa
Yankang Yang
Zuili Guillaume

Collective Exhibitions

  • Vu' by Robert Delpire
  • Full Size Nature
  • VU' in Paris
  • European Works

For more information on exhibitions to rent, please contact Patricia Morvan + 33 1 53 01 85 83 / emailmorvan@abvent.fr

or leave your contact details using the form below:

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