With his renown delicacy, Denis Dailleux’s photography appears calm yet incredibly demanding. It is traced with permanent doubts and coloured by the vital personal relationship he maintains with those he frames within his camera.
His passion for people has encouraged him to take up portraiture as his preferred means of representing those with whom he would like to become close. He used this method with actress Catherine Deneuve as well as countless anonymous subjects from the slums of Cairo. He works with the same discretion he expects from others, without complaint, and hoping that all will go as planned. Patiently, he has constructed a unique portrait of his beloved Cairo to create, between the black and whites of exemplary classicism and the colours of a rare subtlety, an absolute alternative to all the cultural and touristic clichés that clutter our thoughts.
Egypt, Sister Sara, in the footsteps of Sister Emmanuelle (2009)
One year after the death of the nun, Sister Sara has written "Sister Emmanuelle my friend, my mother » with Sofia Stril-Rever, the niece of the deceased.
She's worked eighteen years at the side of one of the French favorite personalities, and has continued her action with scavengers in Cairo since 1993.
Sister Sara, the Coptic Orthodox nun, joined Sister Emmanuelle in Cairo in 1975. With Sister Emmanuelle, they opened schools, got in charge of the girls education and sought funds for the families no to pay the tuition of their children any longer.
Denis Dailleux followed Sister Sara and Sofia Stril-Rever who wanted to come back in Egypt on the footsteps of her aunt.
Ibrahim Labyad : love and violence in Cairo (2009)
Denis Dailleux follows the shooting of Ibrahim Labyad by Marwan Hamed, a journey deep into the violence of the poorest districts of Cairo.
The film tells of the conflcit between two of Cairo’s poorest districts’ crooks over a woman. Denis Dailleux creates a particular atmosphere where fiction meets his soft vision of Egypt.
The film director, at the forefront of the Egyptian film industry, proposes an extremely pessimistic vision of his own country. Far from having one of Hollywood’s happy endings, this film should traverse Egypt’s borders.
Between Denis Dailleux and Cairo, it is a true love story : on one side, an insatiable fascination for this unique place, its mood, its magical lights and an unspeakable tenderess towards its inhabitants ; on the other, a natural generosity, a city which offers itself to this subjugated look, inhabitants full of spontaneous kindness.
Denis Dailleux makes regular trips to Cairo, in an obsessive way.
The word “copt” means Christian in Egyptian. They are born of Pharaohs’ subjects. Copts are the most important no-Muslim religious community who lived in Arabian East, the less westernized too. 90% of Coptes, about 7 millions people, are joining the Copt Orthodox Church.
In the egyptian capital, the only place to live for thousands of inhabitants is the top of the buildings. A whole world invisible from the street, lives in makeshift tiny villages, in the open.
Garden of Eden of Central Asia.
Uzbeks, Kyrgyz, Kazakhs, Turks, Iranians or Arabs, the people from this city of 365,000 inhabitants are the image of country's history and its achievements.
On the footsteps of Rimbaud, in Yemen and Ethiopia (2004)
Leaving in man's shadow with soles of wind as a pretext. Discover a little-known Africa and meet its inhabitants as the ultimate goal. This is what Denis Dailleux's story tells us. We discover landscapes and faces. Each photograph carries the intention of its author: to share his vision of Africa, a land of encounters.
It’s only been recently since this country attracts the attention of tourists. Today, the Sudan is experiencing problems with its neighbour: Chad. But when Denis Dailleux went there in 2003, he shows us a country marked by the sun and the languidness. As usual, the photographer achieves his photograph with people. And then, they accept to show their lives without any fireworks.
Denis Dailleux has decided to live in Cairo. Since 1992, his first journey in the city, he strolls along the streets of the Egyptian capital, with his camera. This book is the result of those years of urban discoveries. Cairo, in accordance with Denis Dailleux, becomes a mix of colour and winding lanes...until black and white, and another reality, this one of workhouses’ poverty, recover their rights.
Editions du Chêne (collection Errances)
In the village of his childhood was leaving an old woman, a true character : Denis Dailleux's great-aunt. Between the old lady and the young man, a unique complicity established a funny but solemn game, something close to fight and challenge.
Denis Dailleux followed traces of the one who has been the object of worship in the Arab world throughout the 20th century, this woman called "the Star of the East". Oum Kalsoum remains rampant in the streets, houses and stores in Cairo.
"Son of a King, Portraits from Egypt
The combined observations of a photographer and writer offer a passionate and contemporary alternative to the otherwise recurrent cultural and tourist clichés encumbering the uniqueness of a country. A series of low-key pictures, in which nothing is haphazard, accompanied by a preface written in a poetic and engaged register reveal the stance of an exemplary dignity. That of Egypt. Practicing an apparently calm and incredibly demanding photography permeated by perpetual doubt, Denis Dailleux fashions, over a period of fifteen years, an exclusive portrait of Egypt with which he has an impassioned relationship with. His passion for people has naturally prompted him to choose portraiture as a means of choice to represent those he had a desire to approach and embody as more than they reveal." Text by: Alain Blottière Publisher: Gallimard (2008) 80 pages Size: 25 X 25 cm ISBN :2070123146
Le Caire
The seers, believing the hour had come, lifted their eyes towards the heavens and there saw al-Qâhir shining a brilliant crimson. This is how the capital of Egypt was named al-Qahira, “the victorious,” and its foundations became inseperable from space, light, the universe… Text by: Gamal al-Gitani, Khaled Osman Publisher: Le Chêne (2001) 176 pages Size: 25x25 cm ISBN :2842772911
Habibi Cairo
These faces of children, men and women, imprints of poetry and affection take us to the neighborhoods where these families live. The delicate and sensitive eye of a photographer craves for meaning beyond the mundane.
Publisher: Filigranes (1997) 36 pages Size: 13x18 cm ISBN :2910682404
Awards
2001 - Fujifilm Award of Festival Terre d'images to Biarritz
With the delicacy he is notable for, his photography appears calm, incredibly demanding, traced through with permanent doubts and coloured by the vital personal relationship he maintains with that and those he frames with his camera. His passion for people, for others, has naturally caused him to develop portraits as his favoured method of representing those he wished, desire to get close to. And this he did, with Catherine Deneuve as well as anonymous subjects from the slums of Cairo, with the same discretion he expects from others, without complaint, hoping things will come right. So,...
La Galerie du Centre atlantique de la Photographie de Brest accueille un ensemble quasi-rétrospectif des travaux de Denis Dailleux : une cinquantaine de photographies extraites de deux séries : Habibi Cairo – Le Caire, et un ensemble plus ancien de portraits de Tante Juliette – photographié en noir et blanc. Il s’agit d’une série photographique intime et saisissante de portraits de Tante Juliette, un personnage hors du commun, qui devient un mythe magnifié par la photographie et ses mises en scène. Ici, Denis Dailleux raconte l’histoire intime de sa grand-tante et pose un regard facétieux sur...