With his renown delicacy, Denis Dailleux’s photography appears calm yet incredibly demanding. It is traced with permanent doubts and coloured by the vital personal relationship he maintains with those he frames within his camera.
His passion for people has encouraged him to take up portraiture as his preferred means of representing those with whom he would like to become close. He used this method with actress Catherine Deneuve as well as countless anonymous subjects from the slums of Cairo. He works with the same discretion he expects from others, without complaint, and hoping that all will go as planned. Patiently, he has constructed a unique portrait of his beloved Cairo to create, between the black and whites of exemplary classicism and the colours of a rare subtlety, an absolute alternative to all the cultural and touristic clichés that clutter our thoughts.
One year on, what is left of a revolution, that from the Tahrir Square, shook Egypt, Mubarak’s reign and the entire Middle-East ?
Despite the elections that gave a clear lead to the Muslim Brotherhood party, the military forces, which had opposed shooting on the protestors during the events, are still holding power. Hence the feeling for the Egyptians, that their revolution once praised worldwide, is only withheld to a certain point.
Denis Dailleux relates and records the upheaval and the hopes of the Egyptian civil society, which from Tahrir Square and its surroundings, are determined not to let anyone steal their revolution.
I first discovered Ghana when I came across Paul Strand’s beautiful book dedicated to this country. It left an incredible impression upon me and that day I promised myself that one day I would go and photograph Ghana.
After my book Fils de roi - a work entirely dedicated to Egypt - was published by Gallimard Editions, I felt that it was time for me to renew my source of inspiration. Starting with fresh landscapes and new ways of being, I decided to explore Sub Saharan Africa.
My first encountered was in Accra, with the community of Jamestown’s fishermen. I was struck by these scenes which reminded me of old oil paintings.
The lights along the ocean dazzled and transformed the...
Egypt, Sister Sara, in the footsteps of Sister Emmanuelle (2009)
One year after the death of the nun, Sister Sara has written "Sister Emmanuelle my friend, my mother » with Sofia Stril-Rever, the niece of the deceased.
She's worked eighteen years at the side of one of the French favorite personalities, and has continued her action with scavengers in Cairo since 1993.
Sister Sara, the Coptic Orthodox nun, joined Sister Emmanuelle in Cairo in 1975. With Sister Emmanuelle, they opened schools, got in charge of the girls education and sought funds for the families no to pay the tuition of their children any longer.
Denis Dailleux followed Sister Sara and Sofia Stril-Rever who wanted to come back in Egypt on the footsteps of her aunt.
Ibrahim Labyad : love and violence in Cairo (2009)
Denis Dailleux follows the shooting of Ibrahim Labyad by Marwan Hamed, a journey deep into the violence of the poorest districts of Cairo.
The film tells of the conflcit between two of Cairo’s poorest districts’ crooks over a woman. Denis Dailleux creates a particular atmosphere where fiction meets his soft vision of Egypt.
The film director, at the forefront of the Egyptian film industry, proposes an extremely pessimistic vision of his own country. Far from having one of Hollywood’s happy endings, this film should traverse Egypt’s borders.
Between Denis Dailleux and Cairo, it is a true love story : on one side, an insatiable fascination for this unique place, its mood, its magical lights and an unspeakable tenderess towards its inhabitants ; on the other, a natural generosity, a city which offers itself to this subjugated look, inhabitants full of spontaneous kindness.
Denis Dailleux makes regular trips to Cairo, in an obsessive way.
In the egyptian capital, the only place to live for thousands of inhabitants is the top of the buildings. A whole world invisible from the street, lives in makeshift tiny villages, in the open.
Garden of Eden of Central Asia.
Uzbeks, Kyrgyz, Kazakhs, Turks, Iranians or Arabs, the people from this city of 365,000 inhabitants are the image of country's history and its achievements.
On the footsteps of Rimbaud, in Yemen and Ethiopia (2004)
Leaving in man's shadow with soles of wind as a pretext. Discover a little-known Africa and meet its inhabitants as the ultimate goal. This is what Denis Dailleux's story tells us. We discover landscapes and faces. Each photograph carries the intention of its author: to share his vision of Africa, a land of encounters.
It’s only been recently since this country attracts the attention of tourists. Today, the Sudan is experiencing problems with its neighbour: Chad. But when Denis Dailleux went there in 2003, he shows us a country marked by the sun and the languidness. As usual, the photographer achieves his photograph with people. And then, they accept to show their lives without any fireworks.
Denis Dailleux has decided to live in Cairo. Since 1992, his first journey in the city, he strolls along the streets of the Egyptian capital, with his camera. This book is the result of those years of urban discoveries. Cairo, in accordance with Denis Dailleux, becomes a mix of colour and winding lanes...until black and white, and another reality, this one of workhouses’ poverty, recover their rights.
Editions du Chêne (collection Errances)
In the village of his childhood was leaving an old woman, a true character : Denis Dailleux's great-aunt. Between the old lady and the young man, a unique complicity established a funny but solemn game, something close to fight and challenge.
Denis Dailleux followed traces of the one who has been the object of worship in the Arab world throughout the 20th century, this woman called "the Star of the East". Oum Kalsoum remains rampant in the streets, houses and stores in Cairo.
This books tells the story of a shared love for a country, Egypt. The hundred pictures by Denis Dailleux, chosen by Gilbert Sinoué, are an opportunity for the author to write about Antiquity, modern and contemporary history, religions, or Egyptian spirit with tea, Turkish coffee, trictrac, nargileh... Text by: Gilbert Sinoué Publisher: Editions de la Martinière (2011) 256 pages Size: 17 x 22,5 cm
Fils de Roi, Portraits d’Égypte
"Son of a King, Portraits from Egypt
The combined observations of a photographer and writer offer a passionate and contemporary alternative to the otherwise recurrent cultural and tourist clichés encumbering the uniqueness of a country. A series of low-key pictures, in which nothing is haphazard, accompanied by a preface written in a poetic and engaged register reveal the stance of an exemplary dignity. That of Egypt. Practicing an apparently calm and incredibly demanding photography permeated by perpetual doubt, Denis Dailleux fashions, over a period of fifteen years, an exclusive portrait of Egypt with which he has an impassioned relationship with. His passion for people has naturally prompted him to choose portraiture as a means of choice to represent those he had a desire to approach and embody as more than they reveal." Text by: Alain Blottière Publisher: Gallimard (2008) 80 pages Size: 25 X 25 cm ISBN :2070123146
Le Caire
The seers, believing the hour had come, lifted their eyes towards the heavens and there saw al-Qâhir shining a brilliant crimson. This is how the capital of Egypt was named al-Qahira, “the victorious,” and its foundations became inseperable from space, light, the universe… Text by: Gamal al-Gitani, Khaled Osman Publisher: Le Chêne (2001) 176 pages Size: 25x25 cm ISBN :2842772911
Habibi Cairo
These faces of children, men and women, imprints of poetry and affection take us to the neighborhoods where these families live. The delicate and sensitive eye of a photographer craves for meaning beyond the mundane.
Publisher: Filigranes (1997) 36 pages Size: 13x18 cm ISBN :2910682404
Awards
2001 - Fujifilm Award of Festival Terre d'images to Biarritz
In Egypt, under Hosni Mubarak, colossal portraits posted on walls were not a practice of the times; surely the pyramids were enough to affirm the omnipotence of the Rais…
But what is it, nowadays, in Cairo with the portraits of the young martyrs who died as a consequence of the Arab Spring ? Their faces seem to have appeared only briefly on the walls of the city, to – very quickly – be torn away.
It is a particularity of the street in Cairo, to take over at an incredible speed, anything and everything. In a manner similar to the web, so important for the Arab Revolution, where images...
Denis Dailleux dresse depuis 20 ans le portrait du peuple Egyptien, et plus particulièrement du Caire. Une oeuvre forte et cohérente qui ne cesse de nous révéler les facettes de cette ville, de nous en faire percevoir la substance et les couleurs.\rElle se poursuit naturellement aujourd’hui à travers une chronique des bouleversements et des espoirs de la société civile égyptienne de la Place Tahrir, bien décidée à ne pas se faire voler sa révolution.\r\r"La première ébauche de mon travail n’est pas un choix politique, mais un choix amoureux. Je suis tombé amoureux en Egypte, de l’Egypte....
The first sketch of my work is not a political choice, but rather a choice made out of love. I fell in love with Egypt while I was there. During my first stay, I discovered the pleasures of oriental-style luxury, evenings spent on the banks of the Nile, music and the smell of the oleanders but, on the other hand, I was suffocating. I decided to focus on the working class area of Gamaleya. I discovered the people, their homes, their working conditions. It was like Zola’s novel Germinal in the late 20th century. Incredibly tough workshops, metal foundries where there were fifteen or so workers...
"It's through the wonderful book Paul Strand dedicated to this country that I discovered Ghana. It was a shock and I said to myself that one day I’ll go myself to discover and photograph this country" \rDenis Dailleux\r\rGhana, situated along the Guinean gulf, is a country living towards the sea.
His story was built on British colonisation history, slaves trading posts and triangle trade.
Today, Ghana is one of the only African countries which has succeeded in its democratic transition.
Denis Dailleux documents this country as he has travelled there.
With exactness and delicacy, he...
Between Denis Dailleux and Egypt, it is a true love story : on one side, an insatiable fascination for this unique country, its mood, its magical lights and an unspeakable tenderess towards its inhabitants ; on the other, a natural generosity, a city like Cairo which offers itself to this subjugated look, inhabitants full of spontaneous kindness.\rDenis Dailleux makes regular trips to Egypt, in an obsessive way.
Denis Dailleux has been working on Egypt for 15 years with always the same gaze of love. To mark the release of his book he co-authored with Gilbert Sinoué, "Impressions of Egypt", the French Institute hosts a retrospective of his work. Egypt is shown as a worthy country, intense and delicate, questionned in chiaroscuro and subdued by a gaze of extreme demand.
Denis Dailleux has been working on Egypt for 15 years with always the same gaze of love. To mark the release of his book he co-authored with Gilbert Sinoué, "Impressions of Egypt", the French Institute hosts a retrospective of his work. Egypt is shown as a worthy country, intense and delicate, questionned in chiaroscuro and subdued by a gaze of extreme demand.
Entertaining stories and portraits, staged critical and sociological survey, group projects and presenting self-portraits of ordinary women, diverse and unique, so none of them claims to the exemplary. Their interest is quite different.\r\rThe work of photographers (male and female, among them are Denis Dailleux and Isabelle Eshraghi) we in fact refer to matters of images: changing roles of social critic born or traditional models of marketing, disenchantment of the everyday, an assertion of personal identity, demand for equality and the right to be different ... In all cases, they upset the...
With the delicacy he is notable for, his photography appears calm, incredibly demanding, traced through with permanent doubts and coloured by the vital personal relationship he maintains with that and those he frames with his camera. His passion for people, for others, has naturally caused him to develop portraits as his favoured method of representing those he wished, desire to get close to. And this he did, with Catherine Deneuve as well as anonymous subjects from the slums of Cairo, with the same discretion he expects from others, without complaint, hoping things will come right. So,...
La Galerie du Centre atlantique de la Photographie de Brest accueille un ensemble quasi-rétrospectif des travaux de Denis Dailleux : une cinquantaine de photographies extraites de deux séries : Habibi Cairo – Le Caire, et un ensemble plus ancien de portraits de Tante Juliette – photographié en noir et blanc. Il s’agit d’une série photographique intime et saisissante de portraits de Tante Juliette, un personnage hors du commun, qui devient un mythe magnifié par la photographie et ses mises en scène. Ici, Denis Dailleux raconte l’histoire intime de sa grand-tante et pose un regard facétieux sur...
agencevu.com website is the exclusive property of Agence VU company. Its contents, works, pictures and texts are protected by laws and international conventions on copyright.
Every representation or reproduction, which infringes legislative clauses on intellectual property is illicit and could constitute an infringement.