After an early experience photographing the conditions of life in prison, Ad Van Denderen decided to develop only long term photo essays. Thus, his work has focused on the apartheid in South Africa, Palestinians and the prospect of peace in the Holy land, and a six-year project documenting several different groups of immigrants and their experiences in crossing the Schengen Zone,.
Struggling against all forms of discriminations, his photography is clearly a part of the humanist tradition of photojournalism.
For a whole year, photographer Ad van Denderen lived and breathed the Dutch military.
He photographed new recruits, the training they underwent and life on Dutch army bases. But he also took pictures of the army on its mission to Afghanistan and of those who stayed at home.
Twenty years after the reunification of Germany, the Dutch military is constantly in the news and that made it a perfect subject for the twelfth edition of Document Nederland, the annual photographic commission awarded by the Rijksmuseum and NRC Handelsblad.
According to the ‘Plan Bleu’ sponsored by the United Nations Environment Programme, in the next 20 years around 205 million holiday or second homes will be built to accommodate 350 million tourists annually along the coasts of Turkey and Spain alone. Ad Van Denderen has spent the past 5 years photographiing in every_country that borders the Mediterranean Sea. So Blue, So Blue is his personal attempt to make sense of the vast economic, political, socio-religious and ecological changes taking place around the open space that Europe, Asia and Africa have contested and shared for centuries.
South Africa (1990-2004). Has the official end of the apartheid in South Africa put an end to the political, social and economical inequalities between the black and the white communities ?
Between 2002 and 2004, Ad Van Denderen went to Palestine to portrait the inventory of fixtures of a situation, which lingers on since more than 60 years. The look is uncompromising: ruined substructures, protection bags in houses...we perceive a Palestinian people who live in the fear. Then, come those bills, which called to extremism. What do we remember? Terror ever causes Terror.
All along 700 kilometres, on the West Bank territory, Israël is building a wall. Separation barrier, security wall, or wall of shame, using terms give a good idea of relationships’ state between Hebrew State and its neighbours. This construction has, from the beginning, raised polemics about human rights issues, or about the necessity for Israël to protects itself from terrorist bombing. This report carries Ad Van Denderen’s point of view on this question.
In Go No Go Ad Van Denderen leads us along the edges of Europe where immigrants try to reach the West along smugglers’ paths, with varying success. He takes us along to the polices stations and refugee centers where , surrounded by their first-thick dossiers, investigators try to determine the identities of the refugees. He shows us how men kill time in pension until a band of smugglers can get them over the umpteenth border. He follows the refugees right up to the barbed wire at the rail tunnel at Calais, where they cut their way through, and further , until they are confronted with the next fence laced with barbed wire.
http://www.go-no-go.nl/gonogo.php
Since the end of the Cold War in 1990 and the expected conclusion of the Uruzgan mission in 2010, almost 90,000 Dutch soldiers have been involved in peacekeeping operations.
What do we remember of them, what remains in our collective visual memory? Precious little. Peacekeeping does not produce spectacular images. Except when it goes wrong. The fall of Srebrenica is an open wound in Dutch (military) history.
Even so, every day young men and women do their often dangerous duty. Drawn by the adventure, out of a need for camaraderie and sometimes also out of idealism and a sense of responsibility. In total, around 40 of them have lost their lives, more than half in Afghanistan.
As part of their annual photo commission, Document Nederland, the Rijksmuseum and NRC Handelsblad newspaper asked photographer Ad van Denderen to give this history a face. Van Denderen followed the recruits during their training in The Netherlands and on their missions in Chad and Uruzgan: hard working, operating with caution; a frequently unglamorous existence. He also turned his lens towards family members. He captured the Christmas and New Year’s greetings being recorded in a television studio and visited the homes of families whose sons will never return – the target of insurgents as a result of their occupation.
‘Wars are begun because the lust for war exists,’ writes Arnon Grunberg. His polemic examination of the notion of civilisation forms the introduction to Occupation: Soldier. Grunberg visited ISAF, NATO’s peacekeeping and reconstruction force in Afghanistan, in 2006 and 2007. Text by: Arnon Grunberg Publisher: NRC Boeken / Paradox (2010) 17 pages Size: 20 x 25 cm ISBN :9079985112
So Blue, So Blue
According to the ‘Plan Bleu’ sponsored by the United Nations Environment Programme, in the next 20 years around 205 million holiday or second homes will be built to accommodate 350 million tourists annually along the coasts of Turkey and Spain alone. This influx of tourism and the return of ‘westernised’ immigrants fuels religious and political radicalization. At the same time it is the fulcrum of major economic changes and ecological pressures.
The starting point of So Blue, So Blue was in 2001 when Van Denderen photographed a group of a hundred illegal immigrants landing on a beach in the south of Spain in rubber boats. Soaked to the skin, they ran off in the early morning light. Three hours later tourists appeared on the same beach, spreading out their towels to enjoy another sunny day. Realising that the region is riven with these inconsistencies, he has spent the past 5 years photographing in every country that borders the Mediterranean Sea. So Blue, So Blue is his personal attempt to make sense of the immense economic, political, socio-religious and ecological changes taking place around the open space that Europe, Asia and Africa have contested and shared for centuries.
Work produced by Paradox.
http://ww.sobluesoblue.nl Text by: Ad Van Denderen & Frits Gierstberg Publisher: steidlMACK (2008) 272 pages Size: 22.5 cm x 29 cm ISBN :3865217346
GO NO GO
In 1986 zag fotograaf Ad van Denderen, op reportage in Oost-Turkije, een toen gloednieuw verschijnsel: het begin van de grote hedendaagse volksverhuizing.
Work produced by Pradox. Publisher: Mets&Schilt (2003) 256 pages Size: 27,4x21,2 cm ISBN :3899040570
Awards
2007 - Laureate of Foundation BKVB Award (Pays Bas)
This new project portrays people behind the steering wheel of a car, an everyday phenomenon. This series was made between 2002 and 2007, parallel to the work So Blue, So Blue. It detracts the motorist’s individuality and emphasizes the analogies between Spaniards, Moroccans, Egyptians and Israelis amongst others. These differences between nations are minimized to scratches on a car. It is a highly humanist and conceptual work of photograph journalism.
For a whole year, photographer Ad van Denderen lived and breathed the Dutch military. He photographed new recruits, the training they underwent and life on Dutch army bases. But he also took pictures of the army on its mission to Afghanistan and of those who stayed at home. Twenty years after the reunification of Germany, the Dutch military is constantly in the news and that made it a perfect subject for the twelfth edition of Document Nederland, the annual photographic commission awarded by the Rijksmuseum and NRC Handelsblad.
According to the Plan Bleu sponsored by the United Nations Environment Programme, in the next 20 years around 205 million holiday or second homes will be built to accommodate 350 million tourists annually along the coasts of Turkey and Spain alone. Ad Van Denderen has spent the past 5 years photographiing in every_country that borders the Mediterranean Sea. So Blue, So Blue is his personal attempt to make sense of the vast economic, political, socio-religious and ecological changes taking place around the open space that Europe, Asia and Africa have contested and shared for centuries.
This summer’s major exhibition at the Nederlands Fotomuseum is the ambitious new project by the Dutch documentary photographer Ad van Denderen, who was awarded the prestigious Œuvre Prize by the Nederlands Foundation for Visual Arts, Design and Architecture (Fonds BKVB) in early 2008. His project So Blue, So Blue – Edges of the Mediterranean presents a photographic impression of the region around the Mediterranean Sea that is a far cry from the images etched on the retina of the average toursist. Van Denderen has been travelling through the 17 countries that surround the Mediterranean Sea on...