VU'WORKSHOPS Stage photo à Paris Friday 1st to Sunday 17th of June 2012
Jane Evelyn Atwood Storytelling with Pictures
Telling a story with pictures is just like writing with words. Something is seen, or thought of, or imagined. Appropriate images are made and put together, one after another, to coherently tell the story—be it abstract, conceptual, documentary or journalistic. This is storytelling with photos, and this is what this workshop will be about.
The instructor will share selected photo stories and explain her working method; her books are available for comment, questions, and consultation.
Participants are given one assignment, to be completed during class sessions. Workshop stories as well as students’ past work are critiqued and discussed. The workshop closes with the final editing and presentation of each story, one per student.
Biography
Jane Evelyn Atwood was born in New York and has been living in France since 1971. Her work reflects a deep involvement with her subjects over long periods of time. Fascinated by people and by the idea of exclusion, she has manged to penetrate worlds that most of us do not know, or choose to ignore.
She is the author of ten books: Nächtlicher Alltag on Parisian prostitutes (Mahnert-Lueg, Munich, 1980); Exterieur Nuit, on the blind (Actes Sud); Trop de Peines, Femmes en Prison (Albin Michel, 2000) and Too Much Time, Women in Prison (Phaidon, 2000), a ten-year project that remains the definitive photographic reference on female incarceration to date; Sentinelles de l’Ombre, (Le Seuil), four years on the devastation of landmines in Cambodia, Mozambique, Angola, Kosovo, and Afghanistan; A Contre Coup (with Annette Lucas), fifteen portraits of French women who have survived abuse (Xavier Barral); Haiti (Actes Sud); and Badate, the immigration phenomenon of Ukrainian women who become caregivers for Italien elderly (Silvana Editoriale, Milan). In 2010, with Jane Evelyn Atwood #125 (Actes Sud), she joined the prestigious collection of Photo Poche Monographs. In 2011, Xavier Barral re-edits her first story about Parisian prostitutes in Rue Des Lombards.
Jane Evelyn Atwood is the recipient of many prestigious international awards, including the first W. Eugene Smith Award, 1980; a World Press Foundation Prize, Amsterdam, 1987; the Grand Prix Paris Match du Photojournalisme and the Grand Prix du Portfolio de la Société Civile des Auteurs Multimédia (SCAM), 1990; the Ernst Haas Award, 1994; the Oskar Barnack Prize, Leica Camera, 1997; and an Alfred Eisenstaedt Award, 1998. En 2005, she was given the Charles Flint Kellogg Award in Arts and Letters from Bard College, U.S.A.
Information and Programm
Dates
Vendredi 1 samedi 2 et dimanche 3 juin 2012
Lieu
Agence & Galerie VU' / Groupe Abvent
Hôtel Paul Delaroche, 58 rue Saint-Lazare, 75009 Paris
Participants
12 maximum par session
Programme
1er jour 14h
Rendez vous à l’Hôtel Paul Delaroche au 58 rue Saint Lazare 75009 Paris - Présentation de Jane Evelyn Atwood des participants -
Présentation de l'ensemble des travaux de Jane Evelyn Atwood...Sous la forme d’un dialogue d’ensemble du groupe, les participants auront par ailleurs la possibilité d’une lecture individuelle de leur portfolio en cours de stage.
2ème jour 10h-20h
Mise en place et explication des travaux pour les deux jours à venir.
Prises de vue. Debriefing session prises de vue. Editiong
3ème jour 10h-18h
Présentation collective des travaux réalisés au cours du stage, projection, critique et analyse. Présentation et discussion sur chacun des portfolios par l’ensemble des participants.
Important
Les participants devront apporter avec eux-Leur portfolio (En tirages ou sous forme numérique. Les participants ne sont pas limité à une série. Ces travaux devront faire l’objet d’un editing attentif. Un ordinateur portable et un boitier numérique : le format de ce Workshop rendant l’utilisation de ces outils incontournable.
Coût
Plein tarif : 590 euros
Tarif réduit (étudiants et moins de 25 ans) : 440 euros
Acompte 50% à la pré-inscription (chèque + bulletin de pré-inscription)
Solde 50% à la confirmation de l'inscription (chèque + mail de confirmation de votre inscription définitive)Informations & inscriptions?Thomas Doubliez +33(0)1 53 01 85 84 - [email protected]
General Terms
Presubscription
Presubscription form provided on request to:
Thomas Doubliez / +33(0)1 53 01 85 84 / [email protected]
Please return this form before March 29th with a check of half the amount payable to :
Agence VU'
Final subscription
Your final subscription will be confirmed by mail after receiving your presubscription
form. Then, you will have to send a check with the balance of the due amount before April 4th. Checks must be in Euros and payable to : Agence VU'
For the foreign participants and the ones not having a French bank account, deposit and balance can be paid by bank transfer (contact us for details) or money order.
Expenses linked to this guideline are to be taken care of by the participant.
Payement to: Agence VU'
Presubscription 50 % deposit ( check+ presubscription form)
Balance 50% at the final subscription ( Check + mail of confirmation), at least one week before the Workshop starts.
Number of participants
Participants can be up to 12.
Cancellation presubscription or subscription
Must be to Agence VU' at least on 1st of April. Cancellation before those dates will allow the complete refund of the deposit. After, no refund will be possible unless case of force majeure.
Cancellation of the workshop
L'Agence VU' can cancel a workshop. If so, with the concerned people, L'Agence VU' will take into account all the possibilities to offer another session. Nonetheless, if no solution is found, l'Agence VU' commits itself to refund the received sums.
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