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Extrańos shares aspects of Diario familiar but also reveals new directions in Juan Manuel Castro Prieto’s work. At the very core of the photographer’s artistic journey, this series revolves around four main themes: childhood (always) but also sex, death, and what he calls “personal space”. Although some of these photographs express strong feelings and violent tension – “Even in a lot of my nudes, death is there” – all are ambiguous and mysterious. Served by a complex symbolism that can be read on many levels, they tend to evoke the strangeness of the world that surrounds us.

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